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Excerpt:
‘Kill me, or I will kill myself if I have to go back
to relive my childhood’, is the memorable way Mario
Mesabegins his Künstlerroman. Mesa was born
in Güira de Melena in the Province of Havana, Cuba,
in 1928. With palpable bitterness, he explains that
he never knew his father, that they had no furniture,
no bed, and that the walls of their home were constructed
of palm trunks whose fronds made the roof. He recollects
toiling with his mother, his two half-sisters and his
grandmother, tearing tobacco leaves from their stems
and filling huge sugar bags, each of them earning 14
cents a day. ‘When I was five or six years old, I went
into the village streets to pursue my own life. I didn’t
know I was crazy in those days. I knew nothing about
art. Finding something to eat was all I thought about.’
When Mesa was nine he packed groceries at the village
bodega, but he made more money on Sundays collecting
pennies strewn ceremoniously in the church plaza by
the godparents of those just baptised. ‘I tried to go
to church three times, and three times the priest threw
me out because I had no shoes.
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The Catholic Church’, he concluded, ‘has always been
an evil empire.’ (The smouldering irritation of this
memory is profound and is the subject of several paintings).
‘I do believe in God and the Nature he has created.’
Mesa leans forward and encircles his arms before him:
‘There is more good to be had embracing a tree than
all the priests’ gossip – God is everywhere except the
Church.’
At 19, Mesa went to work at the beachside casino resorts
near Havana City – El Gato Verde, Antiqua Chiquita,
and the Faro Club; the legendary sybaritic excesses
of the high life he observed put him in good stead when
he later handled his own mujeres (read ‘prostitutes’)
in Miami’s Little Havana. In 1959, Castro came to power
and Mesa went to work as an electrician for one of the
new socialist government’s bureaus, the Technical Float
of Maritime Works. He married Victoria Florin Herrera,
a Jehovah’s Witness, and they had a son and a daughter.
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