OSCAR’S SKETCHBOOK
FRONTIER ARTIST Adam Blackshaw
examines the harrowing background to the work of a young
Aboriginal artist in 19th-century Queensland
Excerpt:
In the early 1980s a small book was discovered in a
box in a collection from the Australian Institute of
Anatomy that was being accessioned into the National
Museum of Australia. On the front cover were the words
‘Drawn by Oscar, Cooktown boy, aged 18 years’. The book,
nowknown as Oscar’s Sketchbook, had remained largely
unseen for over 100 years.
Oscar’s Sketchbook contains 40 historically informative,
sometimes humorous and often powerfully disturbing images
of life on the Australian frontier in the late 19th
century. What is even more remarkable is that all the
drawings are by a young Aboriginal artist, making it
a very rare historical document.
What is known of Oscar is limited to a short letter
written by his ‘overseer’, Augustus Glissan, which accompanied
the sketchbook when it was sent to Glissan’s friend
Dr Charles Bage in Melbourne in 1899. Glissan was the
manager of Rocklands, a large cattle station near Camoweal;
the previous manager had been speared to death by local
Aborigines several years earlier. The letter relates
that in 1887, when Oscar was 9 or 10 years of age, he
had been ‘handed over’ to Glissan in Cooktown to become
a stockman on the cattle station, more than 500 miles
away. The removal of Aboriginal children and their placement
in the homes of white colonialists or state institutions
was a common practice that continued well into the 20th
century. Oscar, who apparently spoke little English
when he came to Rocklands, had evidently at some time
been severely burnt and was generally in poor health,
suffering from what was believed to be asthma.
Top:Police boys doing duty (Lynch Law); Bottom: Endeavor River Blacks full dance costumes