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THE ARTIST FORMALLY KNOWN AS NIKIFOR:
Gary Monroe documents the rise of one of Poland's greatest self-taught painters.

Raw Vision #62 Spring 2008

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Excerpt:
When he first started painting, Nikifor used discarded pieces of paper, including the inside of cigarette packs. This practice continued, so his works are generally small and on scraps that may be irregularly shaped, and even pieced together. Using mainly watercolours, gouache, crayon and, later, pencil, Nikifor found refuge in his art, and an emotional release that perhaps countered his alienation from his home town and from society at large.


Focusing his attention on the surrounding area, Nikifor travelled on foot and by train, often being ejected at the next station once the conductor learned that he had not purchased a ticket. This worked to his advantage: he simply enjoyed his point of arrival and sketched its environs.

 
Rural Landscape with a villageBreakfast
left: Rural Landscape with a village, before 1956. 10 x 15 ins., 26.5 x 38 cm.
right: Breakfast, early 1920s, 11 x 8 ins., 29 x 21 cm.
 
Raw Vision #62 cover

For more text and images,
see Raw Vision
issue #62


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