LOOKING THROUGH A HOLE INTO THE SPIRIT WORLD: Lynne Adele
pays tribute to Frank
Jones whose 'devil houses' were a powerful reflection
of his own incarceration.
Excerpt:
During the last five years of his life, Frank Albert
Jones created a compelling and cohesive body of drawings
that place him among the most notable outsider artists
of the 20th century, and bear witness to the significance
of the visionary impulse in the work of self-taught
African-American artists. Confined to a Texas prison
during the entire period of his creative activity, Jones
developed his strategy for visual expression intuitively
and relied initially on scavenged materials. In his
drawings, he revealed an alternative, mystical world
and documented his ongoing struggle with the entities
that populated it.
Jones was born around the year 1900 in Clarksville,
Texas. He was among the town's black populace, descendants
of slaves brought to Texas from other regions of the
American South by early Anglo settlers to provide agricultural
labour on the area's cotton plantations. Racial segregation
encompassed all aspects of daily life and preserved
cultural traditions that had flourished there since
the days of slavery, which had ended just thirty-five
years before Jones's birth.
left: Untitled,
c. 1967-68, 25.5 x 30.5 ins., 65 x 77 cm,
courtesy Fleisher/Ollman Gallery, Philadelphia.
right: Devil House, 1965, 24 x 22 ins., 61 x 56 cm, Private
Collection,
photo: Richard Shellabear, Todd White Fine Art Photographers.