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Creative Catalyst: 100 Years of the GARDEN OF EDEN
Erika Nelson reflects on the impact of Samuel Perry Dinsmoor's visionary environment on the community in which it was created.

Raw Vision #58 Spring 2007

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Excerpt:
...Lucas, Kansas is a small farming community of 430 people nestled in the Geographic Center of the United States. Across the Midwest, rural communities are losing their inhabitants to out-migration, family farms are closing under pressure from an increasingly corporate agricultural industry, and decreasing population translates into loss of business opportunities in small towns. But the town of Lucas is surviving. This is perhaps due in part to the fact that at its core is Samuel Perry Dinsmoor’s folk art environment, the Garden of Eden. Built between 1907 and 1932, the Garden captures the social climate of the era through its sprawling concrete illustration of politics at the turn of the twentieth century from the perspective of the Populist Party.


Dinsmoor was born in 1843 in Eden. Built between 1907 and 1932, the Garden captures the social climate of the era through its sprawling concrete illustration of politics at the turn of the twentieth century from the perspective of the Populist Party.

 
AbelThe Goddess of Liberty
Abel, after brutally being slain by Cain, is discovered by his wife. An all-seeing eye points to the next tree where Cain and his wife are fleeing the land of Nod (left); The Goddess of Liberty dispatches an octopus labelled ‘Trust’, while two figures use a crosscut saw labelled ‘ballot’ to take down the chartered rights limb supporting the octopus (right)
 
Raw Vision #58 cover

For more text and images,
see Raw Vision
issue #58


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