Creative Catalyst: 100 Years of the GARDEN OF EDEN
Erika Nelson
reflects on the impact of Samuel
Perry Dinsmoor's visionary environment on the
community in which it was created.
Excerpt:
...Lucas, Kansas is a small farming community of 430
people nestled in the Geographic Center of the United
States. Across the Midwest, rural communities are losing
their inhabitants to out-migration, family farms are
closing under pressure from an increasingly corporate
agricultural industry, and decreasing population translates
into loss of business opportunities in small towns.
But the town of Lucas is surviving. This is perhaps
due in part to the fact that at its core is Samuel Perry
Dinsmoor’s folk art environment, the Garden of Eden.
Built between 1907 and 1932, the Garden captures the
social climate of the era through its sprawling concrete
illustration of politics at the turn of the twentieth
century from the perspective of the Populist Party.
Dinsmoor was born in 1843 in Eden. Built between 1907
and 1932, the Garden captures the social climate of
the era through its sprawling concrete illustration
of politics at the turn of the twentieth century from
the perspective of the Populist Party.
Abel, after
brutally being slain by Cain, is discovered by his wife.
An all-seeing eye points to the next tree where Cain and
his wife are fleeing the land of Nod (left); The Goddess
of Liberty dispatches an octopus labelled ‘Trust’, while
two figures use a crosscut saw labelled ‘ballot’ to take
down the chartered rights limb supporting the octopus
(right)