Excerpt:
...I met Josef Wittlich for the last time in the spring
of 1981. As maverick in his appearance as ever, he was
wearing a flat cap, a dark jacket over a pyjama top,
the cuffs of his trousers were tucked into his socks
and his shoes were highly polished. Yet, his gaze was
alert, restless and somewhat mischievous. It was not
easy to convince him to take me one more time through
the ceramics factory where he had worked for twenty
years, from 1948 to 1968. Here his dream of being an
industrial worker had come true; here the shy small
man had finally found respect and recognition.
The son of a button maker, Wittlich was born on 26
February 1903 in the small village of Gladbach near
Neuwied on the Rhine. ‘Father had a fine job’, he used
to say, even though Josef and his siblings
would often go hungry. At the age of four Josef lost
his mother, and not much love appears to have been lost
between him and his stepmother. Little is known about
the subsequent years. In 1921 Wittlich allegedly spent
some time in the service of a French officer in Paris.
The late Twenties saw him roaming Eastern Europe and
the Balkans. In 1934, at the end of the world economic
crisis, Wittlich turned up in Nauort, a small village
some seven miles from his place of birth. He took on
work in the house of a factory owner and as an agricultural
labourer and found lodgings in the spacious attic of
an old farmhouse. The furnishings were poor, but for
the first time in his life Josef Wittlich felt safe
and happy. He had finally found a home, and his landlady
looked after him like a mother.
Model with
pink gown, 1974, 90 x 62.5 cm, tempera on paper. Courtesy
Wasserwerk.Galerie Lange. (left); Woman in corset with
soldier, 1975, 102 x 73 cm, tempera on paper. Private
collection (right)