Raw Vision Magazine
  HOME
  LATEST ISSUE
  SUBSCRIPTIONS
  RENEWALS
  GIFT SUBS
  ONLINE SUBS
  BACK COPIES
  A-Z INDEX
  BOOKS
  SOURCEBOOK
  RAWVISION 123
  GALLERIES
  ARTISTS
  ORGANISATIONS
  ADVERTISING
  what is
RAW VISION?
  what is
OUTSIDER ART?
  AWARDS
  abcd ARTISTS
  ENVIRONMENTS
  NEK CHAND
  NEWS
  WHAT'S ON
  OBITUARIES
  EVENTS
  BIBLIOGRAPHY
  ART FOR SALE
  LINKS
  sell
RAW VISION
  CONTACT
 
  Raw Vision    
 

Vladimir Crnkovic explores the distinctive forms and subtle use of colour in the lyrical landscapes of Ivan Rabuzin

Raw Vision #52

ORDER NOW

Excerpt:
...Ivan Rabuzin is a self-taught artist who is renowned as one of the foremost lyrical painters of the twentieth century. He was born in 1921 in the village of Kljuc, near the town of Novi Marof, in Croatia. After he left elementary school, he learned the trade of carpentry, achieving master level at the Craft School in Zagreb in 1947. For a short period of time he attended an evening art school for workers where he was taught by the painter and sculptor Kosta Angeli Radovani. From 1950 to 1963 he worked in a joinery firm in Novi Marof, first as master carpenter, then as foreman and technical manager, and finally as acting managing director.

Rabuzin's earliest preserved drawings and paintings date from the mid 1940s and display an academic and realistic


Rabuzin's earliest preserved drawings and paintings date from the mid 1940s and display an academic and realistic treatment of his subjects and a striving for impressionist effects. He began to exhibit his work in 1956. After a long period working as an amateur, in 1959 he discovered the theme of lyrical landscapes and with it his own visual language. Finding archetypal symbols in the surrounding countryside, he began to create personal and highly recognisable works. He achieved this through a process of abstraction, systematic simplification and a conscious endeavour to approximate everything to its closest geometrical form: he painted wreaths of spherical clouds, trees with round trunks, dome-shaped hills, flower and sun spheres. Rabuzin found the utmost simplicity, concision and perfection in the sphere and the circle, which were to become his symbols of the absolute, symbols of completeness.

 
My Homeland
My Homeland, 1961, 90 x 110 cm, oil on canvas, courtesy: The Croatian Museum of Naïve Art, Zagreb.
Avenue
Avenue, 1962, 67.8 x 93 cm, oil on canvas,
courtesy: The Croatian Museum of Naïve Art, Zagreb.
 
Raw Vision #52 cover

For more text and images,
see Raw Vision
issue #52


Subscribe Now! Books Back Copies

Up