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Edward M Gomez examines the life and art of Janet Sobel, Pioneering Abstractionist, Rediscovered Outsider

Raw Vision #44

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Excerpt:
...To well-informed admirers of American Abstract Expressionism, Janet Sobel (1894–1968) is a footnote – an anomalous, noteworthy footnote, to be sure – to the familiar history of painting in the era following the Second World War. To Outsider Art aficionados, Janet Sobel is still coming into focus: she is gradually finding her place in that other art history, of important achievements by innovative, self-taught artists of the 20th century.

In recent years, revisionist art historians have made a more considered, critical assessment of Sobel’s main claim to fame – the fact that this shy, chubby, Jewish-immigrant housewife from Brooklyn who started making art in 1937, at the age of 43, developed a drip-painting technique years before Jackson Pollock made headlines with his dripped ‘action paintings.’ Also at issue: whether or not Sobel’s art actually influenced ‘Jack the Dripper,’ as TIME magazine called New York Abstract Expressionism’s leading figure, the booze-soaked creator of some of Modernism’s most emblematic images.

 
The WidowPro & Contre
The Widow, c. 1942, 30 x 24 inches, oil on canvas (left); Pro & Contre, c. 1941, 30 x 20 inches, oil on board (right)
 
Raw Vision #44 cover

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