Excerpt:
...To well-informed admirers of American Abstract Expressionism,
Janet Sobel (1894–1968) is a footnote – an anomalous,
noteworthy footnote, to be sure – to the familiar history
of painting in the era following the Second World War.
To Outsider Art aficionados, Janet Sobel is still coming
into focus: she is gradually finding her place in that
other art history, of important achievements by innovative,
self-taught artists of the 20th century.
In recent years, revisionist art historians have made
a more considered, critical assessment of Sobel’s main
claim to fame – the fact that this shy, chubby, Jewish-immigrant
housewife from Brooklyn who started making art in 1937,
at the age of 43, developed a drip-painting technique
years before Jackson Pollock made headlines with his
dripped ‘action paintings.’ Also at issue: whether or
not Sobel’s art actually influenced ‘Jack the Dripper,’
as TIME magazine called New York Abstract Expressionism’s
leading figure, the booze-soaked creator of some of
Modernism’s most emblematic images.
The Widow, c. 1942,
30 x 24 inches, oil on canvas (left); Pro & Contre,
c. 1941, 30 x 20 inches, oil on board (right)