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Vernacular Art and the ‘New’ South

Charles Russell discusses the constantly evolving creations of Thornton Dial one of the American South’s most accomplished self-taught artists

Raw Vision #43

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Excerpt:
...Thornton Dial’s powerful, expressive paintings, drawings, and mixed media sculptures reveal a strong personal vision, equaled by few other contemporary artists, whether mainstream or vernacular. But, as a minimally-educated, working class, black man, Dial’s creativity and artistic vision are also firmly rooted in the experience of the American South – a background he shares with many of the most inventive self-taught artists.

Indeed, throughout the twentieth century, no region of the United States has offered a more fertile ground for self-taught art than the South. Whether during the first half of the century, when the South lagged economically and promoted a form of apartheid, or in the more modern prosperous ‘new’ South that is in many ways indistinguishable from the rest of the nation, Southern culture both embodies yet also opposes the dominant culture of the nation.

 
The Mother Tiger Will Scramble to Protect Her Cubs
The Mother Tiger Will Scramble to Protect Her Cubs, 1988, 48 x 46.5 x 3.25 inches, mixed media on canvas, courtesy Willliam Arnett Collection, Atlanta, GA.
 
Raw Vision #43 cover

For more text and images,
see Raw Vision
issue #43


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