Excerpt:
...There was once an accomplished young English painter,
not yet with an international name, but very much of
his time and place. He lived in the fashionable London
district of Chelsea; his works – mostly sophisticated
abstracts – were exhibited in the even more fashionable
Mayfair, and bought and sold, as he put it, ‘by the
bucketful; and for comfortable sums.’ As well as painting,
Donald Pass also occasionally taught; one of his students
at the Liverpool College of Art had been the young John
Lennon.
The artist Pass began to work in a figurative style
with landscapes and portraits and later committed wholeheartedly
to abstraction. He brushed up against many of the great
names on the post-war British art scene. At the Royal
Academy he met Stanley Spencer who treated him with
great kindness and respect; he remembers L.S. Lowry’s
humility and recalls, ‘He told me he would exhibit anywhere,
alongside anyone, if people wanted to see his pictures’.
Augustus John not only praised his work, he also recommended
that he paint a portrait of the eminent writer Sir Compton
Mackenzie.
The Archangel Gabriel,
2000, 24 x 30 inches, watercolour on paper (left); Supplication,
1998, 23 x 31 inches, pen and watercolour on paper (right)