colored chalk on paper, cut paper

Anna Zemankova
Czech nationality
Born near Olomouc, Moravia, on August 23rd, 1908
Dies in Prague on January 15th, 1986

 
"I grow flowers which grow nowhere else", used to say Anna Zemankova. She is raised in a family dominated by her mother. Her father is a hairdresser. Her sister, dead prematurely, is always cited as exemplary. Anna marries an officer in 1933 and gives up her job as a dental assistant in order to devote her time to her children. She has first two sons and then a daughter. 1939 is a tragic moment in her life: her first son dies and Moravia is taken over by the Germans.
 
After the war, her family settles in Prague. In the 50s, Anna has several episodes of depression. Suffering from diabetes, she has to have one leg amputated, then the other one.
 
In 1960, at the age of fifty-two, half way through her life, she starts drawing. Anna Zemankova, conscious of her middle class background, a perfect grandmother, starts painting and drawing and gluing elements that look like plants and disturbing carnivorous flowers. A strange little old lady who, in a state of trance (this is why she has been sometimes thought of as a medium), gets up every morning at 4.00 a.m. and draws until 7.00 a.m. Her unusual world is filled with flowers, plants, crochet hooks, finely worked tissue papers, flattened, pushed in or broken up with extreme care and precision. A "feminine" activity more appropriate for decorating Christmas trees or making table mats for wedding gifts, but which here takes on a different life.
 
Isn't this a sign that Anna, in her own way, wants to break away from her traditional role as a housewife? Getting older, and feeling that she has nothing to lose, is she giving a new meaning to her life? A rebirth and a will to take up the story where it had been interrupted; when she was an adolescent, her father had discouraged her from going to art school. Anna's flowers do not come from a herbarium of another planet, from unknown places in the universe, but from her own world, buried under the layers formed by a life full of sacrifices.
 
SEE ALSO: Oniricke vize Anny Zemankove, texts of Arsen Pohribny, Pavel Konecny, Jiri Vykoukal, Jan Krizek, Jo Farb-Hernandez, Alena Nadvornikova, Jenny and Jan Hladikovi, Muzeum umeni Olomouc, 1998.
 
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