Ball-point pen on paper

Miguel Rodriguez
Spanish nationality
Born on January 4th, 1926
Dies on April 28th, 1987

 
Miguel comes from a middle class family. His father is a forensic surgeon. He is eighteen when his father dies. He leaves Spain to join the Spanish legion in Morocco. He has difficulty adjusting to this life and escapes. He gets hired at the Amar Circus, doing odd jobs. He travels to Paris with the circus, gets married and moves to Calais. His mood swings are the reason for his first hospitalization in 1962, before ending up in Saint-Venant. He immediately starts painting; some of his works hang on the walls of the hospital wards.
 
In 1983, Miguel is released and settles in a low income housing area in Béthune but only for a short time. He needs to be institutionalized again. He suffers from diabetes, refuses to take care of himself and dies.
 
There are two aspects to Miguel's work: his bright and dynamic drawings, painted on cardboard and plaster, which he hangs on the walls of the hospital. Then there are the more interesting ones, painted during moments of deep exhaustion, which remain hidden in portfolios. Scary, dark, ghostly shapes appear from grids made with ballpoint pen. One can feel the relentlessness of the motion. It is as if he exhausted himself for hours on these found materials. He grabs paper, cardboard and draws without ever letting go of the paper until his fight is finally over; a kind of feverish, incantory rite that ceases only when there is no more room left on the page.
 
SEE ALSO: MONS (Philippe). Doctoral thesis: L'inachèvement. Evolution des discours relatifs aux productions artistiques des malades mentaux. Etude de cinq cas cliniques, Lille, 1990.
 
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